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Michael Nardone is the author of The Ritualites (2018), Airport Novel (2015), and Transaction Record (2014), and editor of Aural Poetics (2023) and Sonic Materialities (2016). An affiliated faculty member at the Centre for Expanded Poetics, he is editor of the Documents book series published by Anteism Books and the critical journal Amodern. His writings, dialogues, and collaborative works are collected at https://soundobject.net.

Andrew Whiteman is a founding member of the indie-rock collective Broken Social Scene, and a PhD student at Concordia University investigating the confluence of mythology and experimental poetics. He is a musician, producer and sound artist with special interest in Sonic Poetics, and has collaborated on recordings with Alice Notley (In The Pines, 2013) and Anne Waldman (IOVIS, 2023) among others. His divinatory practice is located at https://intarotgate.com.